This image was scanned from The World of Ancient Art by John Boardman
Archive for the 'Ancient Art' Category
Ancient Greek architects strove for the precision and excellence of workmanship that are the hallmarks of Greek art in general. The formulas they invented as early as the sixth century B.C. have influenced the architecture of the past two millennia. The two principal orders in Archaic and Classical Greek architecture are the Doric and the Ionic. In the first, the Doric order, the columns are fluted and have no base. The capitals are composed of two parts consisting of a flat slab, the abacus, and a cushion-like slab known as the echinus. On the capital rests the entablature, which is made up of three parts: the architrave, the frieze, and the cornice. The architrave is typically undecorated except for a narrow band to which are attached pegs, known as guttae. On the frieze are alternating series of triglyphs (three bars) and metopes, stone slabs frequently decorated with relief sculpture. The pediment, the triangular space enclosed by the gables at either end of the building, was often adorned with sculpture, early on in relief and later in the round. Among the best-preserved examples of Archaic Doric architecture are the temple of Apollo at Corinth, built in the second quarter of the sixth century B.C., and the temple of Aphaia at Aegina, built around 500–480 B.C. To the latter belong at least three different groups of pedimental sculpture exemplary of stylistic development between the end of the sixth century and beginning of the fifth century B.C. in Attica.
